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The Lira da Braccio (Publications of the Early Music Institute) de Sterling Scott Jones
Descripción - Críticas 'This is an essential book for those interested in renaissance instrumentation as well as for potential players.' Early Music Review 'Sterling Scott Jones wrote a marvelous and very welcome work which can be warmly recommended to all musicians, musicologists, and instrument makers interested in early music, its instruments, and performance practice... This work is of the highest scholarly and, at the same time, practical value (which is extremely rare!): It certainly opens up a new era in the research and use of the lira da braccio.' RIdIM/RCMI Newsletter 'Sterling Scott Jones' exceptional book is ... welcome as a practical study of the instrument, with its emphasis on iconography, and with its fingering charts, tuning instructions and playable musical examples.' The Consort: European Journal of Early Music Reseña del editor 'This is an essential book for those interested in renaissance instrumentation as well as for potential players.' -Early Music Review 'Sterling Scott Jones wrote a marvelous and very welcome work which can be warmly recommended to all musicians, musicologists, and instrument makers interested in early music, its instruments, and performance pratice.... This work is of the highest scholarly and, at the same time, practical value (which is extremely rare!): It certainly opens up a new era in the research and use of the lira da braccio.' -RIdIM/RCMI Newsletter 'Sterling Scott Jone's exceptional book is... welcome as a practical study of the instrument, with its emphasis on iconography, and with its fingering charts, tuning instructions and playable musical examples.' -The Consort: European Journal of Early Music The 16th-century lira da braccio may be the missing link between the medieval fiddle and the modern violin. This is a brief history of the lira da braccio, a handbook for its use, and selected repertoire. Biografía del autor STERLING SCOTT JONES resides in Munich, where he was a founding member of the Studio der fruhen Musik. He now performs on early bowed string instruments with various groups.
Detalles del Libro
- Name: The Lira da Braccio (Publications of the Early Music Institute)
- Autor: Sterling Scott Jones
- Categoria: Libros,Arte, cine y fotografía,Música
- Tamaño del archivo: 18 MB
- Tipos de archivo: PDF Document
- Descargada: 196 times
- Idioma: Español
- Archivos de estado: AVAILABLE
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The lira da braccio (Book, 1995) [WorldCat] ~ A short history of the lira da braccio --Some early citations --Extant instruments --The lira da braccio in works of art --Chords and fingering charts --Selected repertoire. Series Title: Publications of the Early Music Institute. Responsibility: Sterling Scott Jones.
The Lira Da Braccio (Publications of the Early Music ~ The Lira Da Braccio (Publications of the Early Music Institute) (Paperback) By Sterling Scott Jones. Indiana University Press, 9780253209115, 136pp. Publication Date: May 22, 1995
The Lira da Braccio (Publications of the Early Music ~ ―The Consort: European Journal of Early Music. The 16th-century lira da braccio may be the missing link between the medieval fiddle and the modern violin. This is a brief history of the lira da braccio, a handbook for its use, and selected repertoire.
The Lira da Braccio. - Free Online Library ~ (Publications of the Early Music Institute.) Bloomington: Indiana University Press, 1995. [121 p. ISBN 0-953-20911-0 (pbk.). $22.50.] The lira da braccio evolved out of the medieval fiddle in the late fifteenth-century and flourished for over a hundred years, becoming, at its peak, one of .
The Lira Da Braccio: : Jones, Sterling Scott ~ The Consort: European Journal of Early Music. The 16th-century lira da braccio may be the missing link between the medieval fiddle and the modern violin. This is a brief history of the lira da braccio, a handbook for its use, and selected repertoire.
The Lira da Braccio by Sterling Scott Jones, Paperback ~ —The Consort: European Journal of Early Music. The 16th-century lira da braccio may be the missing link between the medieval fiddle and the modern violin. This is a brief history of the lira da braccio, a handbook for its use, and selected repertoire.
lira da braccio – Early Music Muse ~ The vielle or medieval fiddle was the most popular instrument in its heyday for secular song accompaniment. It first appeared in western Europe in the 11 th century and continued to be played until the middle of the 16 th century, flourishing in the 12 th and 13 th centuries. There is a wealth of vielle iconography, which can tell us a great deal about the variety of its form and the context .
Kunsthistorisches Museum: Lira da braccio ~ Lira da braccio . Diese Lira da braccio von Giovanni d'Andrea (frühes 16. Jh.) ist vermutlich die prunkvollste ihrer Gattung. Die Wölbung des Bodens lässt ein männliches Gesicht erkennen; gleichzeitig sind die Formen eines menschlichen Torsos angedeutet. Anklänge an die Formen des weiblichen Körpers zeigt die Wölbung der Decke.
Lira da braccio — Wikipédia ~ La lira da braccio ou lyra de bracio (chez Michael Prætorius), littéralement lyre de bras, est un instrument à cordes et à archet de la Renaissance européenne, probablement dérivé de la vièle.Son nom italien, lira est dû à la volonté des humanistes italiens de la Renaissance, de relier l'instrument à l'Antiquité. Pratiqué par les poètes de cour du Nord de l'Italie, au XV e et .
Lira da braccio - Wikipedia ~ The lira da braccio (or lyra de bracio) was a European bowed string instrument of the Renaissance.It was used by Italian poet-musicians in court in the 15th and 16th centuries to accompany their improvised recitations of lyric and narrative poetry. It is most closely related to the medieval fiddle, or vielle, and like the vielle had a leaf-shaped pegbox with frontal pegs.
Lira da Braccio – Lark in the Morning ~ The final flowering of the Medieval Fiddle, the Lira da Braccio lasted well into the seventeenth century. It has seven strings, the lowest two are off the fingerboard and act as drones. There are several surviving examples and it appears in a number of paintings from the era. Peghead, neck and sides are carved out of s
Lira da braccio - Pinterest ~ LIRA DA BRACCIO The lira da braccio (or lyra de bracio[1]) was a European bowed string instrument of the Renaissance. It was used by Italian poet-musicians[2] in court in the 15th and 16th centuries to accompany their improvised recitations of lyric and narrative poetry.[3]
Iupress.indiana.edu - Lira da braccio, Viola bastarda ~ elemzése www.Iupress.indiana.edu, ez téma (Lira da braccio, Viola bastarda, 2003 spring), és a fő versenytársak (jstor, encyclopedia, duden)
Lira / musical instrument / Britannica ~ Lira, in music, a pear-shaped bowed instrument with three to five strings. Closely related to the medieval rebec and, like the rebec, a precursor of the medieval fiddle, the lira survives essentially unchanged in several Balkan folk instruments, among them the Bulgarian gadulka, the Aegean lira,
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LA LIRA DA BRACCIO EN LA PINTURA. – Música y Bellas Artes ~ La lira da braccio fue un instrumento renacentista europeo de cuerda con arco. En los siglos XV y XVI, los poetas italianos lo usaban en la corte para acompañar sus poemas o sus narraciones poéticas. Puede relacionarse con el violín medieval o la viela y, como ésta, su forma es de hoja con un clavijero…
lira da braccio ~ lira da braccio g braun. Loading . Music for rest and recovery of the body For sleep Relaxation after a working day Therapy - Duration: . Ernst's Early Music 7,395 views. 1:07.
Lira da braccio Leonardo da Vinci ~ Rekonstruktion der Lira da braccio in Pferdeschädelform, die sich Leonardo selbst gebaut hatte (allerdings aus Holz und nicht aus Silber) - Bild ist etwas sc.
Talk:Lira da braccio - Wikipedia ~ Viola da braccio redirects here. I think that is a mistake. Viola da braccio was an early name for the violin family used to distinguish the instruments of the violin family (including those that were not held da braccio such as the cello) from the violas da gamba. Thus viola da braccio should redirect to the Violin family article.
Lira De Braccio / Definition of Lira De Braccio by Merriam ~ Lira de braccio definition is - a bowed stringed instrument of the 15th and 16th centuries played on the shoulder with five strings over the fingerboard and two drone strings.
Lira da braccio Facts for Kids - Kiddle ~ The lira da braccio was a European string instrument that was played with a bow.It was used during the Renaissance. Italian poet-musicians in court in the 15th and 16th centuries often played it to accompany the poems they were reading. The lira da braccio was very similar to the medieval fiddle.Changes continued to be made to the way the lira da braccio was made until the end of the 16th century.
Category:Lira da braccio - Wikimedia Commons ~ Lira da braccio (or lyra de bracio) was a European bowed string instrument of the Renaissance.It is most closely related to the medieval fiddle, or vielle (vihuela or viola de arco), and like the vielle had a leaf-shaped pegbox with frontal pegs. Fiddles with drone strings are seen beginning in the 9th century (Byzantine lyra), and the instrument continued to develop through the 16th century.
Lira da braccio – Wikipédia ~ A lira da braccio a reneszánsz korának fontos, jellegzetes vonós hangszere.A 15. század végén, a 16. században itáliai udvari költők, zenészek, humanista műkedvelők használták lírai és narratív költeményeik improvizatív zenei kíséretére. Neve ellenére hangszertanilag nem tartozik a lírák, azaz a járomlantok közé, hanem a középkori fidula utódja.
protocolo_de_investigacio_n.pdf / Música clásica / Las ~ Esta posición viene respaldada por el análisis iconográfico de Emanuel Winternitz,19 donde expone, especialmente en el capítulo “The Lira da Braccio”,20 las asociaciones tradicionales extramusicales correspondientes a los instrumentos comunes del Renacimiento, que muestran coherencia con las afirmaciones de Pickett.
LENGUAJE MUSICAL BÁSICO ~ 1. SONIDO, MÚSICA Y LENGUAJE MUSICAL SONIDO, MÚSICA y LENGUAJE MUSICAL El sonido y la música comparten mucho, pero no son la misma "cosa".Cada uno de ellos posee unas cualidades o elementos que los definen y en muchas ocasiones corren parejos, pero hay que
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